Skip to main content

MIT, inFORM, Radical Atoms - and the Mindblowing Future of 3D Displays and Physical Interaction (VIDEO)



This is a truly mindblowing development from a group of extremely talented and visionary people at the Tangible Media Group at the MIT Media Lab - a "Dynamic Shape Display" called inFORM that allows remote participants, using video conferencing technology, to physically manipulate real objects in an entirely different space - even on an entirely different continent. Cool music, too!

How long before we can virtually shake hands?





Here's more information about inFORM from the Tangible Media Group's own webpage:

inFORM

Daniel Leithinger, Sean Follmer, Alex Olwal, Akimitsu Hogge, Hiroshi Ishii / 2013

inFORM is a Dynamic Shape Display that can render 3D content physically, so users can interact with digital information in a tangible way. inFORM can also interact with the physical world around it, for example moving objects on the table’s surface. Remote participants in a video conference can be displayed physically, allowing for a strong sense of presence and the ability to interact physically at a distance. inFORM is a step toward our vision of Radical Atoms: http://tangible.media.mit.edu/vision/

For press inquiries email: sfollmer (at) mit (dot) edu and daniell (at) mit (dot) edu


We are currently exploring a number of application domains for the inFORM shape display. One area we are working on is Geospatial data, such as maps, GIS, terrain models and architectural models. Urban planners and Architects can view 3D designs physically and better understand, share and discuss their designs. We are collaborating with the urban planners in the Changing Places group at MIT on this (http://cp.media.mit.edu/). In addition, inFORM would allow 3D Modelers and Designers to prototype their 3D designs physically without 3D printing (at a low resolution). Finally, cross sections through Volumetric Data such as medical imaging CT scans can be viewed in 3D physically and interacted with. We would like to explore medical or surgical simulations. We are also very intrigued by the possibilities of remotely manipulating objects on the table.

Past research on shape displays has primarily focused on rendering content and user interface elements through shape output, with less emphasis on dynamically changing UIs. We propose utilizing shape displays in three different ways to mediate interaction: to facilitate by providing dynamic physical affordances through shape change, to restrict by guiding users with dynamic physical constraints, and to manipulate by actuating physical objects. We explore potential interaction techniques and introduce Dynamic Physical Affordances and Constraints with our inFORM system, built on top of a state-of-the-art shape display, which provides for variable stiffness rendering and real-time user input through direct touch and tangible interaction. A set of example applications demonstrates how dynamic affordances, constraints and object actuation can create novel interaction possibilities.


Credits:
Daniel Leithinger, Sean Follmer, Hiroshi Ishii


Academic Support:
Alex Olwal


Software Engineering Support:
Akimitsu Hogge, Tony Tang, Philip Schoessler


Hardware Engineering Support:
Ryan Wistort, Guangtao Zhang, Cheteeri Smith, Alyx Daly, Pat Capulong, Jason Moran


Video and Photo Support:
Basheer Tome, Jifei Ou


Comments

Popular posts from this blog

The High Tower Apartments and The Long Goodbye

This beautiful apartment complex in Los Angeles is called the Hightower or High Tower Complex (the High Tower name refers to the central elevator, I believe), and was designed in 1935-1936 by architect Carl Kay - and made famous in 1973 by my favorite film, Robert Altman's The Long Goodbye (see Why I Love Robert Altman's The Long Goodbye).


Although Altman used the building as Philip Marlowe's apartment in his somewhat post-modern Long Goodbye (the film plays with references to Old Hollywood and opens and closes with the song, Hooray For Hollywood), the building has another direct connection to Raymond Chandler.


It was apparently the inspiration for Chandler in his book, The High Window (the first Chandler novel I ever read), in which Chandler describes the residence of Philip Marlowe as being on the cliffs above High Tower Drive in a building with a fancy elevator tower. (Thanks to the Society of Architectural Historians Southern California Chapter webpage for that.) 


This ph…

Andrew Hale and Sade

On Thursday evening, we saw our longtime friend Andrew Hale perform with Sade at the HP Pavilion in San Jose, in one of the most beautifully conceived and produced concert performances I have ever seen.

Sade is a rare musician, in that she and the band only write, record and tour every eight to ten years, so that in a very real sense you can measure your life by her.

The band's music is always fresh and always newly conceived - for their previous album, Lovers Rock, they stripped everything down musically to a minimalist sound and banished the saxophone that had been so much a part of Sade's heavily soul- and jazz-influenced style.


The latest album, Soldier of Love, released in 2010, is one of the most tender, moving collections of songs yet, from the astonishingly beautiful Morning Bird, which features exquisite keyboards from Andrew, to the soulful, retro, return-of-the-sax melodies of In Another Time, and the deeply touching, reggae-influenced charm of Babyfather - a partic…

From Dawn to Sunset on the Beach - Pelicans, Whales and Memories of my Father

This post about my father and the ocean is very important to me right now. It was written when we first moved to Santa Cruz, which we insisted on calling Aldabra because it is so magical...
From Dawn to Sunset on the Beach - Pelicans, Whales and Memories of my Father
Living and writing by the ocean - in a spot we like to call Aldabra (which in reality is a remote and very beautiful atoll in the Indian Ocean) - the beach figures large in my thoughts and daily routine.

Usually I wake early, and on occasion I walk at dawn through the waves, past the occasional fisherperson, enjoying the darkness slowly transforming into light, the spray of the breakers, the pull of the tide around my feet, the constant barking of the sea lions, the damp of the ocean mist - and the sight of the sun breaking over the horizon to the east.






Recently, a few days before what would have been his birthday, I thought of my father as I trod the beach at dawn. He came from a tiny Scottish fishing village, Rosehearty, se…