Theresa Russell and Art Garfunkel in Nicolas Roeg's Bad Timing I look on British film director Nicolas Roeg as many things: a friend, a mentor, almost a second father to me, but also the filmmaker who had the greatest personal influence on opening my eyes to what film could do. His films, not least Performance, Walkabout, The Man Who Fell To Earth, Don't Look Now and Bad Timing, had the greatest individual resonance for me, because they changed the way I looked at identity, sexuality, death, loss, attraction and both the nature of time and the nature of film - and how all of those are intertwined. I was a fan of Nic's long before I met him and was lucky enough to work with him in the most astonishing way. Through Nic, I was able, as a young screenwriter and novelist who had never produced anything, to negotiate the screen rights to a remarkable play I had seen and loved, about Marilyn Monroe meeting Albert Einstein - and to become, with enormous help from the unique
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