Drone Attacks and The Cycle of Terror

Abu Yahya al-Libi in 2008. Photograph: Reuters/Guardian.

This Comment Is Free piece from today's Guardian newspaper, Abu Yahya al-Libi and this perpetually self-defeating "war on terror," written by Moazzem Begg, is one of the most illuminating pieces I have read on the West's approach to dealing with terrorism - and the effect of the US campaign of drone assassinations of alleged high-profile terrorist targets.

I am not for a minute suggesting that we do not face real threats from real people, but the dehumanization of the "war on terror" by these remote-controlled attacks from the sky, and the failure to even try to engage in any meaningful dialogue with what the intelligence services would term "bad actors" (the terrorists) seems to imply a never-ending cycle of killing and incitement to hatred of the West and, in particular, the US.

The irony of our dealings with people who at times are our "allies" (Osama bin Laden, funded by the CIA during the Russian occupation of Afghanistan) and then our worst enemies, is too sad and self-defeating actually to be ironic.

We need a new beginning, somehow, in our dealings with even militant Islam - and perhaps dialogue, rather than drone attacks, might prove more fruitful and less inhumane.

Comments

The High Tower Apartments and The Long Goodbye

Photograph by Dwayne Moser. This beautiful apartment complex in Los Angeles is called the Hightower or High Tower Complex (the High Tower name refers to the central elevator, I believe), and was designed in 1935-1936 by architect Carl Kay - and made famous in 1973 by my favorite film, Robert Altman's The Long Goodbye (see Why I Love Robert Altman's The Long Goodbye ). Although Altman used the building as Philip Marlowe's apartment in his somewhat post-modern Long Goodbye (the film plays with references to Old Hollywood and opens and closes with the song, Hooray For Hollywood ), the building has another direct connection to Raymond Chandler. It was apparently the inspiration for Chandler in his book, The High Window (the first Chandler novel I ever read), in which Chandler describes the residence of Philip Marlowe as being on the cliffs above High Tower Drive in a building with a fancy elevator tower. (Thanks to the Society of Architectural Historians Southern...

Andrew Hale and Sade

Sade in concert in San Jose. All concert photos Copyright © 2011 Alexander Chow-Stuart. On Thursday evening, we saw our longtime friend Andrew Hale perform with Sade at the HP Pavilion in San Jose, in one of the most beautifully conceived and produced concert performances I have ever seen. Sade is a rare musician, in that she and the band only write, record and tour every eight to ten years, so that in a very real sense you can measure your life by her. The band's music is always fresh and always newly conceived - for their previous album, Lovers Rock , they stripped everything down musically to a minimalist sound and banished the saxophone that had been so much a part of Sade's heavily soul- and jazz-influenced style. The latest album, Soldier of Love , released in 2010, is one of the most tender, moving collections of songs yet, from the astonishingly beautiful Morning Bird , which features exquisite keyboards from Andrew, to the soulful, retro, r...

The Story Behind the Immortal Bass Line of Lou Reed's Walk On The Wild Side (VIDEO)

Of all the tributes to, and stories about, Lou Reed over the past week, this is one of the most fascinating - even though it doesn't directly concern Reed himself, but rather Herbie Flowers , the legendary British bass player who created the immortal bass line that opens Reed's massive solo hit, Walk On The Wild Side. When I first heard Walk On The Wild Side, it seemed the ultimate late night New York song: a transgender story (which apparently radio stations in the 1970s and since didn't even pick up on, despite the line, " Shaved his legs and then he was a she ") featuring characters from Andy Warhol's Factory , which sounded as if it had been recorded at about 1 am in some smoky lowdown basement hangout in the East Village. The video above reveals the immense influence of Herbie Flowers - who had worked with David Bowie , who produced Walk On The Wild Side and the Lou Reed album it came from, Transformer , on Bowie's own classic breakout s...

Alexander Stuart

Search This Blog