Skip to main content

A Tour Of Pixar

Photograph: Alexander Chow-Stuart.
On Friday, December 9, 2011, we enjoyed a most wonderful tour of Pixar Studios, arranged by my good friend, independent producer and ex-head of 20th Century-Fox, Bill Mechanic.

We had lunch with one of Pixar's writers, Simon Rich, whose credits include four years at Saturday Night Live and several of his own novels, including the recently optioned, Elliot Allagash.

Simon was not only fascinating to talk to about writing for Pixar, but showed a genuine interest in talking to our seven year old son, Hudson, about his own forays into animation...and Hudson's love of The New Yorker for its covers and its cartoons, not to mention Hudson's absolute passion for Andrew Stanton's/Pixar's WALL-E, his favorite film of all time, and the one that has done most, in its truly wondrous, extraordinarily moving and breathtaking way, to shape his view of the world and the cosmos.

We were then treated to an incredibly illuminating (to riff on Pixar's iconic lamp, Luxo, shown outside the studio in the accompanying photograph) behind-the-scenes tour of Pixar's "heart" - a beautifully imagined building, created by the designer of the Apple Stores (Steve Jobs himself even had a hand in the central placement of the rest rooms, to encourage social contact), where Pixar's magic is mined and divined as a result of a huge degree of hard work...perhaps mixed with an equal amount of hard play (the animators were wearing kilts in celebration of the studio's Scottish-based, female-centered, rugged and mythical next animated feature, Brave).

We saw one of the massive banks of computers - a twinkling room filled with machines turning binary ones and zeroes into art - where the "rendering" of each frame of film is done: the time-consuming (it takes many hours for each frame) and laborious work, now done by computers, but in pre-Pixar days done by hand, that turns the mix of script, story, humor, characters, background sets and overall esthetic design into individual frames that will eventually transform into a magical, emotionally-stirring motion picture.

We were also treated to our own private screening of a beautiful new Pixar animated short, La Luna.

Many thanks to Grace Thompson, Development Associate, for giving us her time to show us around and answer our many questions with inordinate goodwill and expert knowledge.

We all learned a lot - I know I did! And Paradise and Hudson had a look inside the mythical magic Chocolate Factory. Paradise is especially happy with her plush pink pig (Hamm) from Toy Story, Hudson with his wooden automobiles from Cars.

It was a wonderful, fascinating and unforgettable day for us all. Many thanks to everyone involved, including Mary Coleman, Jim Roderick, Ann Totterdell - and Bill Mechanic!

Comments

Popular posts from this blog

The High Tower Apartments and The Long Goodbye

Photograph by Dwayne Moser. This beautiful apartment complex in Los Angeles is called the Hightower or High Tower Complex (the High Tower name refers to the central elevator, I believe), and was designed in 1935-1936 by architect  Carl Kay - and made famous in 1973 by my favorite film, Robert Altman's The Long Goodbye (see Why I Love Robert Altman's The Long Goodbye ). Although Altman used the building as Philip Marlowe's apartment in his somewhat post-modern Long Goodbye (the film plays with references to Old Hollywood and opens and closes with the song, Hooray For Hollywood ), the building has another direct connection to Raymond Chandler. It was apparently the inspiration for Chandler in his book, The High Window (the first Chandler novel I ever read), in which Chandler describes the residence of Philip Marlowe as being on the cliffs above High Tower Drive in a building with a fancy elevator tower. (Thanks to the Society of Architectural Historians Southern

2012 Writing Workshops - From Pixar To Noir

WALL-E photograph: Copyright Pixar/Disney. Many thanks to everyone who came to The Magic of Pixar Writing Workshop today. I hope you enjoyed it - and I wish we'd had more time to explore the many themes of Pixar's films, not least a deeper examination of the Hero's Journey and how it relates to such movies as WALL-E and Finding Nemo.  I think, given the tremendous response - and requests - I will be presenting a second Magic of Pixar Wr iting Workshop, probably in February 2012.  We will look at different films - Up, especially, and Monsters, Inc - and how they relate to themes of childhood, aging and our deepest fears and emotions, as well as the sheer fun and excitement of the Cars movies. In the meantime, the first Writing Workshop of the New Year will be on Saturday January 21st and will have a Noir theme, exploring one of the most powerful and enduring genres of literature and movies - the heightened emotions, vivid characters, crackling dialogue

Please Sign Up For Email Updates To This Blog And My Writing Workshops

The Malteste Falcon, 1941. For those of you wishing to keep up to date on my writing workshops at the Central Sierra Arts Council , the most efficient way is to sign up in the "Follow This Blog By Email" box in the right sidebar beneath the Buddha. You will then receive an email update every time I post to the blog, including any changes in times or dates or other details of the workshops (although I shall try not to mix things around). I would also greatly appreciate it if you would "Like" this blog on Facebook , by clicking on the "Like" button also beneath the Buddha. This lets you follow the Facebook page associated with this wesbite, AlexanderStuart.com , which frequently has additional content not included in the blog. Blade Runner, 1982, courtesy of artist Gavin J Rothery. In the meantime, the first Writing Workshop of the New Year will be on Saturday January 21st 2012 , at the Central Sierra Arts Council, 193 S. Washington Str