Skip to main content

Beyoncé and Lemonade: What's Going On



Really blown away by Beyoncé and the truly remarkable work she's created with the film and music of Lemonade. Such a feeling of power, of powerlessness overcome, such a beautifully introspective work, yet joyous and celebratory. I'm a white boy but it makes me feel more connected with a long line of strong black women and at least some understanding of the history of oppression and suffering they endured (still extant: the mothers with the photographs of their dead sons provide a chilling and respectful moment) than pretty much anything I've seen or heard. Beyoncé has grown so massively as an artist. This is such a strong use of her abundant talents, her power from celebrity, of what can be done with music and media. This may be her What's Going On, and I don't mean to diminish her work by comparing it to a man, simply that she captures something universal and true and urgent in the same way that Marvin Gaye did. Beyoncé is totally her own woman but just to put her in context, she's on a par with Nina Simone, Aretha Franklin, Billie Holiday...the GREATS


If you enjoyed this post, please follow me on Twitter @alexanderchow. 



Comments

Popular posts from this blog

The High Tower Apartments and The Long Goodbye

This beautiful apartment complex in Los Angeles is called the Hightower or High Tower Complex (the High Tower name refers to the central elevator, I believe), and was designed in 1935-1936 by architect Carl Kay - and made famous in 1973 by my favorite film, Robert Altman's The Long Goodbye (see Why I Love Robert Altman's The Long Goodbye).


Although Altman used the building as Philip Marlowe's apartment in his somewhat post-modern Long Goodbye (the film plays with references to Old Hollywood and opens and closes with the song, Hooray For Hollywood), the building has another direct connection to Raymond Chandler.


It was apparently the inspiration for Chandler in his book, The High Window (the first Chandler novel I ever read), in which Chandler describes the residence of Philip Marlowe as being on the cliffs above High Tower Drive in a building with a fancy elevator tower. (Thanks to the Society of Architectural Historians Southern California Chapter webpage for that.) 


This ph…

From Dawn to Sunset on the Beach - Pelicans, Whales and Memories of my Father

This post about my father and the ocean is very important to me right now. It was written when we first moved to Santa Cruz, which we insisted on calling Aldabra because it is so magical...
From Dawn to Sunset on the Beach - Pelicans, Whales and Memories of my Father
Living and writing by the ocean - in a spot we like to call Aldabra (which in reality is a remote and very beautiful atoll in the Indian Ocean) - the beach figures large in my thoughts and daily routine.

Usually I wake early, and on occasion I walk at dawn through the waves, past the occasional fisherperson, enjoying the darkness slowly transforming into light, the spray of the breakers, the pull of the tide around my feet, the constant barking of the sea lions, the damp of the ocean mist - and the sight of the sun breaking over the horizon to the east.






Recently, a few days before what would have been his birthday, I thought of my father as I trod the beach at dawn. He came from a tiny Scottish fishing village, Rosehearty, se…

Andrew Hale and Sade

On Thursday evening, we saw our longtime friend Andrew Hale perform with Sade at the HP Pavilion in San Jose, in one of the most beautifully conceived and produced concert performances I have ever seen.

Sade is a rare musician, in that she and the band only write, record and tour every eight to ten years, so that in a very real sense you can measure your life by her.

The band's music is always fresh and always newly conceived - for their previous album, Lovers Rock, they stripped everything down musically to a minimalist sound and banished the saxophone that had been so much a part of Sade's heavily soul- and jazz-influenced style.


The latest album, Soldier of Love, released in 2010, is one of the most tender, moving collections of songs yet, from the astonishingly beautiful Morning Bird, which features exquisite keyboards from Andrew, to the soulful, retro, return-of-the-sax melodies of In Another Time, and the deeply touching, reggae-influenced charm of Babyfather - a partic…