Give me an H - Los Angeles photographed from behind the Hollywood Sign by Dwayne Moser. |
For some reason, I can't post a reply to a comment to a post from Peter Delaunay regarding the High Tower Apartments piece below, so I am publishing his comment and my reply here.
The photograph above is one of a series of spectacular large-scale photographs taken (mostly) from behind the highly iconic Hollywood Sign by our friend and artist Dwayne Moser. All of them are remarkable - not least in the fresh perspective they give on both the sign and the city it has come to represent.
First, here is the comment from Peter Delaunay:
Great post, Alexander. Very interesting, and so good to know that it's still there! I was briefly in LA in 1980 and have always thought that the Long Goodbye is the film that most pictures the city as I remember it. Obviously it's not the whole of LA - but its a picture that I remember. Is that still the case ?
I posted the following on the TLG facebook wall - but it doesn't always show up when I visit it, so if you haven't seen it, here it is again: An interview with Vilmos Zsigmond on the cinematography of TLG and McCabe & Mrs Miller, and working with Altman in general. [The video will be embedded separately below this post.]
The O of it all - photograph by Dwayne Moser. |
Thanks very much, Peter. I, too, have always felt that The Long Goodbye captures LA better than any other movie - and having lived in Topanga Canyon (just south of Malibu Canyon) and also Laurel Canyon, near the Sunset Strip, I still feel that The Long Goodbye has more of a sense of LA - heavily influenced by the 1970s, but still present in many ways - than any other movie.
I think, just as with Chandler, who made me fall in love with Los Angeles in the first place when I read him as a 17-18 year old schoolboy in England, Altman's film is both a love affair with the city and a critique of it, which is what LA invites, perhaps more than any other metropolis.
LA is still utterly unique - an agglomeration of distinct and incredibly self-defined neighborhoods (Hollywood, Downtown, the Valley, Santa Monica, Venice, Beverly Hills, Bel Air, the canyons, West Hollywood, Malibu, Topanga, Burbank, Century City, Culver City, Compton, Inglewood; the whole division between East Side and West Side - never the twain shall meet) that somehow function remarkably well as a "centerless" city, connected by the freeways that LA pioneered in the 1930s and 1940s.
LA is one of the most topographically beautiful cities in the world - with the Hollywood Hills, the astonishing Mulholland Drive that runs along the top of them; Griffith Park, right in the middle of the city, with the beautiful, marvelously restored Observatory (made famous by Rebel Without A Cause); the often snow-capped San Gabriel Mountains; the Santa Susanna Mountains; the wild open and thankfully heavily protected (as State Parks and under other legislation) vast wild areas of Malibu and Topanga; the incredible beaches (Point Dume and Zuma especially, but also Topanga, Santa Monica and Venice)...plus some astonishing architecture: the Deco Hollywood Bowl, the breathtaking Frank Gehry Walt Disney Music Hall, the Getty Museum, etc.
I love LA with a passion and I hope to die one day on a beach in Malibu at a very great age - I have that set in my contract: in this, I get the Final Cut.
Thanks for the Zsigmond interview. I'm a huge fan of his, too. I'll embed it in the blog.
A section of the Hollywood Sign from the front, photographed by Dwayne Moser. |
All photographs Copyright © Dwayne Moser.
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Please note that for reasons I have not been able to solve yet, I have enormous difficulty posting replies to comments - so I apologize if you ask a question or just make some wonderful remarks and I am not able to respond. I am working on this, because it is very frustrating, but apparently it involves rewriting some of the code of the template! So do not hold your breath...
Thank you for taking the time to comment, and for reading my blog - Alexander